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Time: Rain, mixed with a little snow, around noon. Clearing later, but gusts of wind continue. High in the mid 1940s.

Parking on the alternate side: In effect until Friday (Purim).

After more than a year of legal wrangling, it’s official: The Manhattan District Attorney’s Office will be allowed access to years of tax returns and other financial records of former President Donald J. Trump.

The Supreme Court issued the decision Monday, bringing a decisive defeat to Mr. Trump’s extraordinary struggle to keep the archives private.

In a statement, Mr. Trump denounced the court ruling and the investigation, which he called “the biggest political witch-hunt in our country’s history”.

Now, the district attorney’s office faces the Herculean task of digging through terabytes of data for evidence of possible crimes by Mr. Trump’s real estate company, the Trump Organization.

[Here’s what’s next in the Trump tax investigation.]

Here’s what you need to know.

Cyrus R. Vance Jr., the Manhattan District Attorney, has been leading a major criminal investigation into Mr. Trump’s affairs for more than two years.

That investigation has long been hampered by Mr. Trump’s legal objections which have twice reached the Supreme Court.

Now, the wealth of documents that will be obtained from Mr. Trump’s accountants, Mazars USA, will give prosecutors a more comprehensive look at the inner financial workings of Mr. Trump’s business and allow them to determine whether to indict him. ‘former president of crimes.

During his 2016 presidential race, Mr Trump said he would release his tax returns, as all presidential candidates have done for at least 40 years, but instead he fought for them. keep secret.

It was not entirely successful. A New York Times investigation, which examined more than two decades of the former president’s tax returns, found that Mr. Trump paid little income tax for years and highlighted financial irregularities potential, some of which could be included in Mr. Vance’s investigation.

Prosecutors, investigators, forensic accountants and an outside consulting firm will start digging through piles of financial documents to paint a clear picture of Mr. Trump’s business dealings.

After the Supreme Court issued its order, Mr. Vance issued a terse statement: “The work continues.”

But Mr Vance might not see the end of that work during his tenure. He has given no indication of his intention to run for re-election this year, and the investigation could go to his successor.

New Yorkers clashed with restaurant owners over their increasingly sophisticated outdoor dining arrangements. [Eater]

After going out of business last year, the discount department store chain and the city Century 21 plans to reopen this year. [NY1]

Arturo Di Modica sneaked his 3.5 ton bronze sculpture “Charging Bull” in front of the New York Stock Exchange under cover of night in 1989.

Mr. Di Modica did not have permission from the city to install the sculpture. When he arrived with the statue on Broad Street around 1 a.m. on December 15, he and his friends discovered that the stock exchange had set up a massive Christmas tree where he hoped to place the bull.

“Let go of the bull under the tree,” he cried. “It is my present.”

For Mr. Di Modica, a Sicilian artist whose death last week was covered by my colleague Clay Risen, the statue was a hymn to optimism in the face of the stock market crashes of the late 1980s. Despite its clandestine installation, the Mr. Di Modica’s donation continued.

The bull, which city officials moved to Bowling Green, has become a reliable tourist draw and a sculptural representation of Wall Street. He was also targeted by vandals, including one who, in 2019, shattered the bull’s horn by crushing it with a metal banjo.

Another art installation, “Fearless Girl” by Kristen Visbal, angered Mr. Di Modica when she was placed directly in front of “Charging Bull” in 2017.

The bronze girl, who defiantly stared at ‘Charging Bull’, was ‘there attacking the bull,’ said Mr Di Modica, who felt Ms Visbal had changed the original meaning of her work.

“Fearless Girl” drew applause from celebrities and Mayor Bill de Blasio, among others, and in 2018 was moved past the exchange, near where Mr. Di Modica originally placed the bull.

The mayor also wanted to move “Charging Bull” near the stock exchange, but his efforts failed and the statue is still in Bowling Green.

At the time of his death, Mr. Di Modica was working on another monumental sculpture: a 132-foot depiction of rearing horses that would one day frame a river near his home in Vittoria, Italy.

“I have to finish this thing,” Mr. Di Modica said. “I will die working.”

It’s Tuesday – grab the bull by the horns.

Dear Diary:

It was a Monday morning in 1985 and I was late for work. I barely had time to put on makeup and brush my hair before rushing out the door to my Cobble Hill apartment.

When I got to the sidewalk, I hit my stride. With a Walkman stuck in my pocket and music filling my ears, I walked down the subway six blocks, happily jumping towards Madonna’s “Material Girl.”

I still had my headphones on when I got on the train. I quickly felt a wave of joy around me. Someone said something and people started to laugh. I didn’t pay any attention to it and kept my head down, glued to my music.

When the doors opened at the next stop, a woman in impeccable costume brushed past me as I stood by the door. She motioned for me to turn off my Walkman.

“You have your curlers,” she said.

– Reni Roxas

New York Today is published on weekdays around 6 a.m. register here to get it by email. You can also find it on

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