Ebon Moss-Bachrach returns as Richie in season 4 of The bear.
Michael Becker / Via FX
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Michael Becker / Via FX
The Hulu series The bear was congratulated for its precise representation of the life of the restaurants, the chefs screaming each other while they are jostling to follow a dam of food orders. But the actor Ebon Moss-Bachrach, who plays Abrasive and Ornery cooked / Master D Richie, says that the whole show is nothing like what we see on the screen.
“It is a very loving, fun, calm and well managed set,” explains Moss-Bachrach. “To do something in a living way, in a way, it takes a huge rehearsal between the actors, between the actors of the department of the camera and the accessories department. We have such a deep and wonderful crew that it really requires a lot of sensitivity and listening.”
Moss-Bachrach won two best Emmy Awards support players to work on The bear. Although his character initially appears to be antagonist, the first three seasons of the show show that Richie struggling with the end of her marriage and worries about maintaining a relationship with her young daughter.
“I knew that he was a man who was suffering, who was in a world that he no longer really recognized,” said Moss-Bachrach. “As a person who is at a certain point in my life, I also linked to this type of seeing as many things that I liked in my neighborhood, in my city, changing and seeing things, everything becoming a bank. I really have linked it that way.”
Moss-Bachrach grew up in Amherst, Mass., A university city of the western part of the State. He describes it as a “very beautiful childhood”, filled with reading, cycling, playing dungeons and dragons and dragging in the woods.
“Things are probably not so different now – I still like it,” he says. “I remember being lucky – even at an age of 14 or 15 years when you do not feel particularly graceful towards your family or your environment – but I remember (thinking) that you know what? It is not too bad.”
Strengths of the interview
During the “Fishes” shooting, the infamous episode of the Christmas dinner of The bear star Jamie Lee Curtis,, Bob odenkirk And John Mulaney
This scene at the dinner table, we shot for an afternoon. It was different. All of a sudden, there were SUVs on the set, and the food was much better. … I think they have deployed the red carpet a little for all our estimates of stars invited this week. It’s funny because they were actors (who are) so powerful, we all know their work so well, but they were guests on our set and one thing that I have noticed over the years that I have done, it is, as you are experienced, and how many sets you have walked, it’s always a little nervous and you feel a little shy. … So, in a way, I observed the experience of these incredibly talented actors.
Carmy (Jeremy Allen White) and Richie (Ebon Moss-Bachrach) take care of the kitchen in The bear.
Chuck hodes / via fx
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Chuck hodes / via fx
During the filming of the “Forks” episode, when the character of Moss-Bachrach, Richie, learns in one of the best restaurants in the city
I found it alone, in a way. I thought the lighting was cold. He had a very different color from that of the rest of our episodes. There is generally real warmth in The bear And it was a bit blue and austere, almost like an operating room. I really like the people I work with and my favorite scenes to shoot are the group scenes … And everyone is talking to each other in a way and there is this stenography and I made myself without any of these brands of the experience that I had grown up to love and that I look forward to, and I worked with all the new actors. I remember that the layout of this restaurant was so confusing. I could never find where the bathroom was or where my little chair (was) … I put my chair in a corner where I could be alone and look at my lines and think of scenes and stuff and I could never go back. I was just confused, I think, most of the time.
On its brief appearance as a bell The Royal Tenenbaums
It’s such a good movie. I am so happy to be part of it, even this little and little way. … It was the second time that I was in a set, probably my first time in such a chic hotel. I especially remember Wes AndersonThe concern for detail, descends it like a tailor and somehow adjusted the hem of my pants, staring at my hair, adjusting my little pill hat. I had this part because I had good hair. … It explodes in a way. It’s like a backward volcano or something like that.
By joining the cast of Girls In season 3 as desi, Marnie’s musical partner became a husband (then ex-husband)
I watched the first season a bit, but I was also so jealous that I was not (above). I really wanted to be part of it and it was therefore complicated for me to look at it. … And then once I worked there, I wouldn’t look at him much just because … I didn’t want it to make me embarrassed.
I saw (desi) as a small crook, really well assembled outside, but a lot of crisis and chaos take place internally, a little researcher. I have the impression that he was not necessarily committed to acting. He was a musician, I’m sure he painted, just doing a lot of different things, which is good, I suppose … If I am really not charitable, perhaps (he wore) pre-distributed jeans. But also someone who felt very deeply, loved deep … a baby.
Featured in Afternoon dog day on Broadway next year, in front of his Bear Co-Star Jon Bernthal
My process right now is to claim that it does not happen as long as possible and delaying, delaying, delaying. I am very, very, very excited to do this thing and spend a few months with my dear friend, Jon, and I’m sure it will be a wonderful cast. I like nothing more than working on new American pieces. It is in a way my favorite thing to do, to be in this rehearsal room when the writer is there, the writer is alive, they are there. It is a work in progress. It is a deep and deep collaboration between the writer-director, dramaturg, and the entire distribution. It’s as if everyone dirty their hands. I find it really exciting. For me, it is the closest that you can be in a way in a recording (studio) that makes like a disc where people who have just played and adjust the battery and change things that feel very lively and exciting, and it’s been a long time since I have done.
Lauren Krenzel and Susan Nyakundi produced and published this interview for Broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth November adapted it for the web.
