Skip to content


In the wake of one of the most unusual and controversial Oscar ceremonies to date, Netflix in the United States is bidding farewell – at least for now – to several previous nominees and renowned winners. And this is your last chance to gorge yourself on a pair of compelling crime series, as well as some top notch indie movies that are well worth your time. (The dates reflect the last day a title is available.)

One of the pleasures of observing Steven Spielberg’s career is watching his slow but steady evolution, from a young upstart with effects wielding effects to a storyteller in the classic Hollywood mold – the kind of filmmaker he is. and his 1970s film mates were seen as reproaches. But Spielberg always had those traditional instincts (he just dressed them in stylish new duds), and few of his recent films have highlighted that legacy like his 2011 adaptation of the 1982 children’s novel “War Horse”. This simple story of a boy and his horse is reminiscent of “The Black Stallion” (or even Spielberg’s “ET”), but the straightforward style and unapologetic sentimentality leads the director to show his debt to John Ford’s cinema and William Wyler.

Post it here

Dustin Hoffman was in his mid-’70s when he finally made the leap to directing with this 2013 adaptation of Ronald Harwood’s play. And it has assembled an enviable cast: Maggie Smith, Michael Gambon, Tom Courtenay, Pauline Collins and Billy Connolly (among others) appear as residents of a British retirement home for musicians, who rekindle their glory days once a year. for a benefit concert. But old sorrows and rivalries resurface with the arrival of a legendary diva (Smith). The stakes are pretty low (and the outcome is hardly in doubt), but as one would expect from an actor of Hoffman’s caliber, the film’s performers have ample opportunity to strut their stuff.

Post it here

The basic premise of this BBC series – which ran sporadically, over short seasons, from 2010 to 2017 – was simple: move the characters from Sir Arthur Conan Doyle’s Sherlock Holmes stories to modern London and insert them. in a contemporary police procedural series. It could have been a cute gimmick, but the show’s creators, Mark Gatiss and Steven Moffat, skillfully used the tension between past and present to explore the peculiarities of these already beloved characters, reframing them into our contemporary understanding. psychology and trauma. Thanks to the lengths of the feature films and the movie star tours of Benedict Cumberbatch as Holmes and Martin Freeman as Watson, it feels less like a TV series and more like a new franchise, worthy of comparison with the old ones. Basil Rathbone and Nigel Bruce films from the 1930s and 1940s.

Post it here

Bryan Cranston landed an Academy Award nomination for Best Actor (his first) for his work as blacklisted screenwriter Dalton Trumbo in this 2015 biopic from director Jay Roach (“Bombshell”). Trumbo was a prolific writer, industry fly, and shameless Communist who found his seemingly unstoppable career on skids when he and nine other industry figures – the so-called Hollywood 10 – were deemed “unfriendly” By the House Anti-American Activities Committee. The storytelling is overly simplistic, but the supporting cast keeps things lively, especially Helen Mirren as famous gossip columnist Hedda Hopper and John Goodman and Stephen Root as cigar-mining producers who give work to Trumbo when no one else will.

Post it here

John Ridley, the Oscar-winning ’12 Years a Slave’ screenwriter, created this ABC anthology series, which each season tells a different story filled with different characters, often played by a recurring cast. (The regular cast includes Timothy Hutton, Benito Martinez and Lili Taylor, as well as Regina King, who won two Emmys for her work.) He never really found an audience – perhaps because his sense of storytelling in Slow-burning series is more common on cable and streamers than on network TV – but it’s a sharp and thoughtful series, approaching contemporary issues of race, class, gender, and crime with a welcome nuance.

Post it here

Marilyn Monroe was such an icon, such a seemingly inimitable blend of charisma, naivety and sexuality that recreating her onscreen seems a particularly daunting task. But that’s exactly what Michelle Williams did, well enough to land an Oscar nomination for Best Actress of 2011. Director Simon Curtis and screenwriter Adrian Hodges wisely choose not to create a cradle-to-grave biopic, instead focusing on a career crossroads moment. for Monroe: the set of “The Prince and the Showgirl,” the 1957 film which teamed him with famed actor and director Laurence Olivier in what seemed like a test of courage and talent. The “mon” in the title refers to Colin Clark (Eddie Redmayne), a member of the film crew who became close to Monroe during its production. With her unique perspective on the actress’ life, the result is an unusually personal and human portrait of a true legend.

Post it here

Elisabeth Moss and Mark Duplass take on the roles of a married couple trying to solve their problems on a private therapeutic getaway in this clever indie drama set at the heart of a twisty thriller. Director Charlie McDowell and screenwriter Justin Lader are expert illusionists: they distract you with the shiny object of self-help buzzwords and relationship issues while sneaking into the clever themes of identity, expectations and personal development. It’s a weird and unpredictable movie and a funny, famous movie to boot.

Post it here

Few movies can legitimately claim to have changed cinema, but this 1999 indie horror classic can, and not just because of the ubiquity of “found” thrillers in the years since. It had no stars, a microscopic budget, and digital video photography that was barely a cut above home movies. But it also told a compelling story, with sympathetic and recognizable characters, while the directors, Daniel Myrick and Eduardo Sánchez, used the handcrafted aesthetic to give the film a chilling authenticity.

Post it here

Heath Ledger and Jake Gyllenhaal put on the best performances of their careers as Ennis and Jack, two rough-hewn ranch hands that fall unexpectedly and passionately lovingly during a summer alone in the mountains. But things are very different for them once they get back to sea level. They are expected to bottle up their relationship and lead lives that turn into a decade of lies, and both actors poignantly convey this undeniable grief. Ang Lee won her first Oscar with her sensitive direction, which turns their 20-year story into a miniature epic, subtly retracing changes in American culture through this unique and special relationship.

Post it here

Nora Ephron’s latest feature film was also one of her most ambitious, cleverly adapting two memoirs simultaneously: writer Julie Powell’s chronicle of her year-long attempt to cook all the dishes for chef Julia Child “Mastering the Art of French Cooking “and Child’s own” My Life En France. ” Ephron’s spiritual script makes the most of the pairing, finding devious similarities and differences in their lives, relationships, and (of course) their cooking styles. Streep received an Oscar nomination for her earthly work, which transcends easy imitation to joyful incarnation, and Stanley Tucci is divine as her beloved husband.

Post it here

The life of Harvey Milk, the first openly gay person elected to political office in California, comes to life in this masterful 2008 biopic from director Gus Van Sant. Sean Penn won his second Oscar for Best Actor of the Decade for his powerful title tour, which beautifully captures not only Milk’s compassion and drive, but also her considerable warmth and humor; Josh Brolin was nominated for an Oscar for his intricate work as Dan White, Milk’s colleague on the San Francisco Supervisory Board who murdered him in 1978. Dustin Lance Black’s Oscar-winning screenplay makes one humble homage to Milk without making him a saint or a martyr. .

Post it here

Kurt Russell first rose to fame in a live-action Disney film series in the late 1960s and early 1970s, so there is a wonderful circularity to his appearance in this 2004 Disney sports drama. the true story of the 1980 US Olympics. hockey team, a scrappy crew of amateurs and outsiders who unexpectedly (and, in that icy cold war moment, inspired) toppled the team very favored Soviet. There isn’t much suspense in such a well-known story, but director Gavin O’Connor (“The Way Back”) unearths the interpersonal dynamic that makes the story compelling. Russell’s finely tuned performances transform the archetypal tough trainer into a real, complicated character.

Post it here

The true story of Chris Garner, a single dad who went from homeless desperation to business success, comes to life in this 2006 drama from director Gabriele Muccino (adapting Garner’s memoir). Will Smith won his second Oscar nomination for his heartbreaking job as Garner, who finds his upbeat attitude and never-say-die worldview challenged by the struggle to find work and raise his son, played by the own Smith’s son, Jaden. The authenticity of this relationship translates well on screen, and while the story’s beats are predictable, there’s no denying their effectiveness.

Post it here



Source link