There is no reason for the first hour of The highest 2 the lowest To be as bad as it is. Spike Lee’s first narrative functionality since DA 5 Bloods In 2020 adapts Akira Kurosawa Up and downA waterproof criminal thriller that starts with a crisis and quickly follows it with a moral dilemma. A rich businessman learns that his son was kidnapped, but in reality, the kidnappers took the son of his driver. This seriously tests man’s ethics, because paying the ransom would put him in financial danger – and it is not even his flesh and his blood on the line. In the main role, Kurosawa threw his Toshiro Mifune then to observation; By recognizing the previous one established by the Japanese master, Lee launches his best leader man, Denzel Washington, as a music magnate David King, whose attempts to maintain his emblematic but stagnated Empilin ‘francs are turned upside down by an abduction and the $ 17.5 million in Swiss Franc note that the assailant of shit (a $ ap Rocky). But it is only when David leaves his chic apartment, decorated with portraits of black historical musicians and contemporary art, with a bag full of money, that The highest 2 the lowest Obtains a formal adrenaline shock and finally corresponds to the committed and livewire energy of its main interpreter.
On the first act of Up and down (himself based on Ed McBain’s novel King’s ransom), the detectives descend to the house of a hill of a shoe magnate, and through the impeccable staging of Kurosawa, each power dynamic, a flash of vulnerability and rapid strategies are captured in the blocking of the actors and the position of the camera. Up and down Understands how the body can communicate the tandem drama with other bodies, and before the ransom money passed from a gear window in the film, the drama was amplified enough to propel the public to its dark atmospheric resolution. But even though lee’s modern reimagining boasts an impressive and kinetic second Hour that puts a playful, unxpected press on the characters, the entire hosage deliberation sequence is shot, edited, and color timed with out a shred of vitality and urgency – Anonymous but forcefully Ever-Present Piano and Strings Score by Howard Drossin That Tries to Smother The Performances and Drama with a Layer of Famer.