In Black panther (2018) and its suite, Wakanda forever (2022), Ryan Coogler made two of Marvel’s most satisfactory and textured recent films. Son 2015 Rocky spin off Creed Represents the gold stallion with regard to the editorial staff of Franchise, honoring the original series while rising and fighting its own corner as a separate film. If someone has won the chance to do a passionate project, it’s coogulating. But who knew that it would lead to something so wild, without tramçon Sinners? Standing Michael B Jordan in the double role of the 1930s gangster twins smoking (Surly, threatening) and Pile (charming, reckless), it is a Gothic horror of the South Sexy and Sexy, a vampire film infused with blues in which music flows as free as blood.
The brothers leave Chicago with the type of money that generally comes with a number of bodies. Back in their Mississippi homeland, they team up with a young cousin, aspiring Bluesman Sammie (Miles Caton, an impressive newcomer with a deep voice soaked in Bourbon). The plan: to open a juke joint belonging to blacks under the nose of the Ku Klux Klan. But it turns out that even greater evil awaits them.
If you choose the sons of the story, Sinners is a bit disorderly, but the assurance and the vision of coogler maintains everything together. It looks phenomenal: shot on a 70 mm film, the frame pulsates with sensual reds, coming and gold and gold. The soundtrack is hot and dangerous – and not just the blues. There is a feverish and wild version of the Irish folk song Rocky Road to Dublin which always gives me goosebumps a full week later.
