Walton Goggins has a fairly phenomenal year. His very spoken words about Turn on “The White Lotus” made him affection and disgust for equality, many women from around the world wondering if they could have been the only one to “repair it”. He also closed a legendary racing of four seasons as a baby Billy Freeman on “Les Precieuses Just”, always making “teenjus” a common vernacular. Now, before Emmy’s vote starting next month, Goggins took the penultimate episode of “SNL 50”, a special moment for him given that it was also the annual show of Mother’s Day.
To celebrate this, Goggins asked his own mother to join him on stage for a unique dance. After explaining how she raised it as a single parent with the help of her aunts and other friends, Goggins honored her mother by offering her hand and raising it before the public. Although their dance initially started as traditional, Goggins and his mother began to show their southern roots by launching a clogging session. “Saturday Night Live” generally does not have the possibility of becoming too sentimental, but when this is the case, this always manages to remind us how magical the show can be for guests, the casting and the crew.
Goggins may need to count on landmarks for most of the night, but he seemed to have a lot of fun. Among the live sketches, the best was the first, which takes this one-this configuration of the continental congress and transforms it into a hilarious act against our founding fathers, who should have been called our founding brothers. It is a little difficult to laugh how this choice by a small group of men hundreds of years ago continues to wreak havoc on American society, but the goggins and the desire for “SNL” distribution to go there – and to be as silly as possible by doing it – laughs.
We love a little strange and twinned with the strange sensitivity of the player Jane Wickline, she could be the strangest that we have seen for a while. It starts quite clumsy with Wickline finding a baby shoe at Central Park who leads him to embark on the song. His hope is to find the baby to which the shoe belongs, but he has just discovered that his wearer is an entirely adult man with exceptionally tiny feet. Goggins nails the personal person of this comic book character and gets a boost from the best friend Sam Rockwell, who appears as a balloons with similar tootsies.
Rumors abound that it could be Mikey Day last season at “SNL”. If this is the case, he would go out in mind with one of the most ridiculic moments of the update of the weekend of recent memory. Presented to discuss Trump’s price chaos, the day is presented as a “guy who has just crossed a week-web”. This soon defines all of its presence rather than the initial goal of talking about current affairs. Day’s physical comedy is on another level and even seemed to move away from the actor because he could not completely remove the shirt that his character comes to tear.
Later in the night, we were treated to another Dan Bulla “Midnight Matinee”, which frequently appeared this season and still manages to make the trivial completely unique. This time, Bulla aims to use the Squatty pot, with Andrew Dismukes playing a recently promoted employee who can only think of his boss and his wife shit after seeing the device in their bathroom. As a Pot Squatty user, I feel attacked, but as a fan of “SNL”, I appreciate their ability to find humor in every detail of our existence.
