The second “live” remake of the year of Disney goes after a less historic or respected film than snow WhiteBut one nevertheless undermined his maniac magic by the process of creative bankruptcy: Lilo & Stitch. The story of a small, tapewing Hawaiian orphan and its destructive extraterrestrial and the pet has contrasting two imaginative shades of young energy (who has not temporarily seen a younger brother or child as a hellish monster on pure chaos?) With a graceful aquatic representation of their island community. The extraterrestrials and tourists were both out of the water, both disruptors for the inhabitants who were trying to keep their jobs and their houses intact. A magnet fraternal core Keeping things to the earth and ultimately appeased the blue beast. These beats are all, mainly, repeated with diligence in the remake of a cheap appearance, traveled with the SLO-MO energy of an underwater walk. If rehearsal is the only objective, Lilo & Stitch Paintings by figures. But the original aesthetic of Disney Channel and a handful of bad head decisions make this film just the last of a series of soulless copies and at a cut rate.
Watching the worst version of a cinema in a film that already exists is like eating a cookie from an amateur baker. They could technically follow the recipe, but it is difficult not to pass the experience to remember how good things could be. The second fiction function of Marcel the shell with shoes on“San Fleischer Camp, Lilo & Stitch Proves that the director can obey instructions and collect a check, but few others. His film shoots the endearing strangeness of Lilo (Maia Kealoha, mainly flat and sometimes less intelligible than his blue companion), the science fiction pleasure of creators / pursuers of Stitch, and the wacky chaos of life of life, children and pets from the external space.
The plot is indeed the same. Lilo is struggling to integrate after the death of his parents. Stitch (Director of origin Chris Sanders) is on the run of a foreign government organization, disguising a dog. The first adopts the latter in an animal refuge, and they kiss even if they cause problems to those around them. “Ohana” means “family”, after all, a feeling of heartbreak that this film distorts an omnipresent refrain. There is Elvis music, surfing and frozen treats that fall on the ground. The majority of the remake has the Janky loyalty of a community theater production, a film of fans that goes through the movements as best as possible.
So what is this new catch Lilo & Stitch add? A few other humans annoy something fun: a direct social worker played by Tia Carrere makes the punchline Cobra Bubbles (Courtney B. Vance) redundant), while Amy Hill the Haquet as a neighbor of Lilo. The sister of Lilo Nani (Sydney Elizebeth Agudong) more shoulders the objective of history, having refused a university scholarship to better take care of Lilo, which gives the story a strange angle; The trajectory of the plot leads to the way in which Nani can move away from Lilo and the responsibilities that she brings – it is a film inclined to throw Lilo on friends and neighbors so that Nani can live her life, something that would be more conforming to the themes of the family found in the original if one of the other human characters was only hot bodies.