Cementation His Rocket-Nhip ascent as one of the biggest pop stars, Chappell Roan won the best new artist in Grammys on Sunday. After accepting the trophy, she read an extended criticism of the way the music industry treated her as a young artist of a notebook that she brought on stage.
“The file labels must treat their artists as precious employees with salary and health insurance and health protection,” she said. “The labels, we have you, but you have us?”
She defeated the pop star Sabrina Carpenter, who also had a year in small groups; The country singer “A Bar Song (Tipsy)” Shaboozey; The rapper “Denial is a river” Doechii; Two singers with moving smashs, Benson Boone and Teddy swim; British singer and composer net Raye; And the Vibey Austin Khruangbin group.
Roan is the character of stage inspired by the Dragste of Kayleigh Rose Amstutz, 26, who released his first EP in 2017 and was abandoned by his label three years later, before his queer romance ballads and his pivotte dance tracks like “Hot To Go” and “Red Wine Supernova” by his first album “The Rise and Fall of A Midwest Princess” found an audience.
Roan was nominated for six grammys at the 2025 Awards, including the “Big Four” all-gene categories. “Good luck, baby!”, A burning kiss song released last year, became a success and was in place for the record and the song of the year.
In August, “The Rise and Fall of A Midwest Princess” struck No. 2 of the Billboard 200. Roan went from sites of 600 places to attract breathtaking crowds during festivals across the country. In November, she was the musical guest for the most watched episode to date in the 50th season of “Saturday Night Live”.
Earlier at night, Roan interpreted his song “Pink Pony Club”, a tribute to the gay-bar scene in Los Angeles, on the Grammys scene at the top of a large float of a pink pony, accompanied by clowns of Rodeo.